The full range of his voice and the dynamics were there, along with the other vocal sounds, lip smacks, and so on that you would hear if you were sitting across from him at a table having a conversation.
CHURCH PRODUCTION MAGAZINE
I found myself marveling at the amazing depth, clarity and nuance I heard through the PA. If sound check was an eye-opener, the show was statement. The SR40V delivers an elegant, warmly realistic, complex and finely detailed vocal sound.
The SR40V has the inherent quality and smooth top-end extension of a “studio” mic but one that is, by design, quite useful when placed a little closer to sources, taking advantage of some proximity effect just as is often done in live sound reinforcement.
The SR40V came over with a good balance of highs and lows, sounding very natural and transparent. I’d certainly have no qualms using it for a studio session, and because the mic doesn’t have specific character engineered in, it should suit a wide range of vocal styles and voice types.
The SR40V has the condenser sound without the harshness of most other handheld condenser vocal mics. It is a very smooth, sweet sounding microphone.
Ken Freeman, FOH ENGINEER
The benefit to me is that I can make it sound any way I want, depending on the application. Because of the super fast rise time of the small diaphragm, I can add and subtract EQ without it ever sounding ‘tubby or flabby.’ Its natural presence and tightness is quite unique.
Angus Davidson, FOH ENGINEER
Cardioid Handheld Vocal Mic
Studio Vocal Mic
Wireless Mic Capsule
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