50KHZ OMNI MICROPHONE
QTC50
Unparalleled accuracy. Gratifying realism. 360 degrees of sound.
50KHZ OMNI MICROPHONE
QTC50
Unparalleled accuracy. Gratifying realism. 360 degrees of sound.
The Sound of you.
Delivering sound so detailed and real, the QTC50 brings recordings to life and delivers a truly accurate snapshot of your sound.
Powerful Precision
With an extended 3Hz – 50kHz ruler-flat frequency response, the result is a more accurate representation of your original sound.
Powerful Precision
With an extended 3Hz – 50kHz ruler-flat frequency response, the result is a more accurate representation of your original sound.
Accuracy Every Time
The QTC50 is time coherent, precisely capturing high and low frequency sounds with no phase errors.
Accuracy Every Time
The QTC50 is time coherent, precisely capturing high and low frequency sounds with no phase errors.
Clarity No Matter the Volume
With an SPL rating of 140dB, the QTC50 has plenty of headroom. And with no proximity effect, you can get it as close as you want to the sound source.
Professional products
designed with professionals in mind
In audio, our perception of what feels real and natural is incredibly sensitive to resolution in the time domain. In particular, the level of detail present in the initial transient is responsible for much of our sense of content, meaning, and frequency balance. This includes defining attributes like “timbre”, “texture”, and “air”. Earthworks’ blazingly fast technology ensures that every performance sounds like life
Specifications
| FREQUENCY RESPONSE | 3Hz – 50kHz ±1/-3dB |
| POLAR PATTERN | Omnidirectional |
| SENSITIVITY | 34mV/Pa (-29dBV/Pa) |
| POWER REQUIREMENTS | 24-48V Phantom, 10mA |
| MAX ACOUSTIC INPUT | 140dB SPL |
| OUTPUT | XLR (pin 2+) |
| OUTPUT IMPEDANCE | 65Ω balanced (between pins 2 & 3) |
| MIN OUTPUT LOAD | 600Ω between pins 2 & 3 |
| NOISE | 20dB SPL equivalent (A weighted) |
| DIMENSIONS (L x D) | 229mm x 22mm (9.0 x .860 inches) |
| WEIGHT | .5 lb. (225g) |
My favorite use was on drum overheads. On cymbals they capture the harmonic nuances of the splashing metal very honestly thanks to their 50 kHz range.
The omni pattern makes it extremely easy to place and the low noise and crystal clear, open sound make it excellent for use on acoustic instruments, drums, percussion and even vocals. It’s truly one of my go-to studio tools.
