GUITAR MICROPHONE
SR25
Powerful sound. Stunning detail.
GUITAR MICROPHONE
SR25
Powerful sound. Stunning detail.
Cut Through the Mix.
Articulation. Punch. Detail. Capture it all and then some with the SR25 on guitar.
Capture Your Tone
Detail comes through like never before. Your sound. Delivered.
Capture Your Tone
Detail comes through like never before. Your sound. Delivered.
Turn It Up
With a staggering SPL handling of 145dB, the SR25 can take on the loudest guitars without overloading.
Turn It Up
With a staggering SPL handling of 145dB, the SR25 can take on the loudest guitars without overloading.
Specifications
| Frequency Response | 20Hz -25kHz ±2dB at 12 inches (30cm) |
| Polar Pattern | Cardioid |
| Sensitivity | 10mV/Pa (-40dBV/Pa) |
| Power Requirements | 24-48V Phantom, 10mA |
| Max Acoustic Input | 145dB SPL |
| Output | XLR (pin 2+) |
| Output Impedance | 65Ω balanced (between pins 2 & 3) |
| Min Output Load | 600Ω between pins 2 & 3 |
| Noise | 20dB SPL equivalent (A weighted) |
| Dimensions (L x D) | 165mm x 22mm (6.5 x .860 inches) |
| Weight | .35 lb. (160g) |
After I started miking his guitar amp with SR25s, he came back to me a couple weeks later and said that he could actually hear the difference between a worn plastic guitar pick and new plastic pick, because of the detail coming from the Earthworks microphone.
The SR25s for drum overheads are amazing. With the SR25s, the kit sounded super-open and natural—without the brittle top end I frequently hear from a lot of other condenser mics.
With a kick drum and these two overhead mics, I don’t need to add any other mic inputs into the drum kit. That’s how powerful the overheads are in drum miking.
What I love about this microphone is its ability to accurately capture the sound of my equipment with absolute clarity even without added compression, equalization and effects.
I was just floored. I could finally hear the definition of the cymbals and the openness of the drum set.
