Consistent sound and easy installation the perfect combination for busy artist
Milford, NH, March 12, 2010 – With a schedule that encompasses arranging, producing, recording, and live performance, pianist/arranger/conductor Randy Waldman has no interest in struggling with musical equipment that compromises the creative process. This is particularly true when it comes to miking the piano. Having grown weary of the seemingly endless string of challenges involved in getting a good, consistent piano sound, Waldman found the solution was much easier than he ever imagined once he auditioned the Earthworks PM40 PianoMic™ System.
Waldman’s biography reads like a Who’s Who of the music and entertainment business. He won a Grammy® Award for co-arranging Barbara’s Streisand’s “Somewhere” and he’s performed on and/or arranged numerous recording projects for artists such as Aretha Franklin, Celine Dion, and Michael Jackson. His performances can be found on soundtracks for leading films including Without A Trace, Titanic, and Ice Age (to name but a few) and he routinely serves as a pianist, conductor, and arranger for live concerts. With a track record like this, it’s safe to assume Waldman knows a bit about miking the piano.
The process of miking the piano has been an ongoing challenge for years and Waldman certainly experienced his share of frustrations, as he explained. “Miking the entire keyboard evenly—without certain notes or areas being louder or softer than other areas—is a huge issue,” says Waldman. “Similarly, sound leakage from outside the piano is another consideration that makes capturing the instrument so difficult. I really hadn’t found what I considered to be a workable solution until I discovered the Earthworks PM40.”
“What I like most about the PM40 is its ease of installation,” Waldman continued. “When I walk into a live concert situation,
I would say 99% of the time, the piano is already miked. Since piano miking generally takes a fairly long time, most sound crews aren’t willing to experiment because they have a million other responsibilities to attend to. With the PM40, however, the mics are so easy to place that, most of the time; the crew is open to the idea. I set the PM40 in place, angle the mics and hand them the plugs. Once the crew hears the system, the sound sells itself.”
In terms of its sound quality, Waldman offered the following. “The PM40 delivers even, natural sound across the entire range of the instrument, and since I can close the lid, there’s considerably less of the usual bleed from other instruments on stage. Equally noteworthy, I never have to worry about the mics falling into the piano. I also get plenty of positive feedback from the sound crews when they hear the system for the first time. Their comments are almost always the same, ‘You can hear the entire piano keyboard evenly.’ The PM40 is a really well thought out system for piano miking.”
On April 17th, Waldman will perform in concert with Natalie Cole, Josh Groban, and Barry Manilow at the legendary Ahmanson Theater in Los Angeles and he has every intention of using his PM40 PianoMic system. “I wouldn’t want to be without it,” he says. “I’m also looking forward to using the new PM40T Touring PianoMic System, as this is designed for portable use. Once you get accustomed to the sound quality and ease of using the Earthworks setup, you really don’t want to be without it.”