SR25

SR25 2017-08-24T18:44:27+00:00

SR25

25kHz Instrument Microphone

Precision engineered cardioid condenser designed for drums, guitar amp and other loud instruments

  • 50Hz – 25kHz flat frequency response

  • Cardioid polar pattern

  • Handles up to 145dB SPL without distortion

From $619

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  • Extended frequency response to 25kHz
  • Multi-purpose cardioid microphone
  • More gain before feedback than other microphones
  • Less leakage
  • Textbook perfect cardioid polar pattern with natural on- and off-axis performance
  • Provides excellent results for both live performance and recording applications
  • Extreme accuracy in the time domain for faithful reproduction and no smearing or distortion
  • Transparent sound quality
  • Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier louder attacks

Frequency Response: 50Hz – 25kHz ±2dB at 12 inches (30cm)

Polar Pattern: Cardioid

Sensitivity: 10mV/Pa (-40dBV/Pa)

Power Requirements: 24-48V Phantom, 10mA

Max Acoustic Input: 145dB SPL

Output: XLR (pin 2+)

Output Impedance: 65Ω balanced (between pins 2 & 3)

Min Output Load: 600Ω between pins 2 & 3

Noise: 20dB SPL equivalent (A weighted)

Dimensions L x D: 165mm x x 22mm (6.5 x .860 inches)

Weight: .35 lb (160g)

SR25 25kHz multi-purpose cardioid condenser microphone

SR25mp 25kHz multi-purpose cardioid condenser microphone – matched pair

  • Acoustic String Instruments
  • Bass Amp
  • Brass/Woodwinds
  • Drums/Percussion
  • Guitar Amp
  • Recording

 

  • MC1 Microphone Clip
  • SRW3 Foam Windscreen

The SR25s for drum overheads are amazing. With the SR25s, the kit sounded super-open and natural—without the brittle top end I frequently hear from a lot of other condenser mics. I used the SR25s as overheads for a considerable amount of the snare and tom sounds. The Earthworks mics were a marked improvement over the previous microphones we’d used.

Pete Keppler, Front of House Engineer

After I started miking his guitar amp with SR25s, he came back to me a couple weeks later and said that he could actually hear the difference between a worn plastic guitar pick and new plastic pick, because of the detail coming from the Earthworks microphone.

Chris Mitchell, Front of House Engineer

I was just floored. I could finally hear the definition of the cymbals and the openness of the drum set.

Mark Corben, Front of House Engineer