FM360HD, FM500HD, FMR500HD, FMR600HD & FMR720HD

FM360HD, FM500HD, FMR500HD, FMR600HD & FMR720HD 2017-12-08T19:17:35+00:00

FM360HD, FM500HD, FMR500HD, FMR600HD & FMR720HD

40kHz Gooseneck Podium Microphones

 

40kHz gooseneck podium microphones with ultra-high intelligibility and reliable coverage

  • Available in 13″ (328mm), 19″ (475mm), 23″ (589mm) and 27″ (686mm) lengths

  • Cardioid or hypercardioid

  • Fully flexible gooseneck or rigid center gooseneck

From $659

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  • 30kHz flat frequency response
  • No spotlighting
  • Uniform frequency response on or off axis
  • More gain before feedback
  • Picks up almost no sound from the rear of the microphone
  • Near perfect polar pattern
  • Mini-gooseneck allows quick and easy positioning
  • Black, white or silver finish on exposed sections
  • Available with 3, 6, 10 or 12 inch gooseneck
  • Primary applications include teleconferencing, distance learning, surveillance, boardrooms, government facilities, and ambient room miking

Frequency Response: 100Hz to 40kHz

Polar Pattern: Cardioid or Hypercardioid

Sensitivity: 20mV/Pa (-34dBV/Pa)

Power Requirements: 24 – 48V Phantom, 10mA

Max Acoustic Input: 139dB SPL

Output: XLR (pin 2+)

Output Impedance: 65Ω balanced (between pins 2 & 3)

Min Output Load: 600Ω between pins 2 & 3

Noise: 16dB SPL equivalent (A weighted)

IM3-B 3″ (76mm) gooseneck, black finish

IM3-W 3″ (76mm) gooseneck, white finish

IM3-S 3″ (76mm) gooseneck, silver finish

IM6-B 6″ (152mm) gooseneck, black finish

IM6-W 6″ (152mm) gooseneck, white finish

IM6-S 6″ (152mm) gooseneck, silver finish

IM10-B 10″ (254mm) gooseneck, black finish

IM10-W 10″ (254mm) gooseneck, white finish

IM10-S 10″ (254mm) gooseneck, silver finish

IM12-B 12″ (305mm) gooseneck, black finish

IM12-W 12″ (305mm) gooseneck, white finish

IM12-S 12″ (305mm) gooseneck, silver finish

  • Conferencing / Installed Sound

The narrow usable portion of a conventional microphone’s polar response (with full frequency response) provides only a narrow area that will pick up sounds without high frequency losses at the sides of the microphone. The figures on the left indicate how many conventional microphones it takes to cover a room (with an 8 foot ceiling) and provide the full frequency response of the microphone at the head of a six foot man, in standing position.

The figure on the right shows the much wider polar response (with full frequency response) of Earthworks directional High Definition Microphones™, requiring fewer microphones. In addition you also have more sound level before feedback, no spotlighting or highlighting, more rejection of sounds from the rear of the microphone, in addition to a vastly superior sound quality.

“Each mic yields more coverage, so you need fewer of them. The first benefit of this is potentially a reduced scope for phase errors between mics. The second is that you require less cabling and DSP to connect and process inputs.” 

FULL REVIEW
  • OMW1 Foam Windscreen
  • Lock Nut

We then used the new HD FlexMic for several worship services, and noticed there was an even greater clarity in the sound (almost like there was no microphone there at all), the intelligibility was incredible, and the HD mic had an even further reach both on and off-axis.

Franklin Denham, Highland Baptist Church