FM360, FM500, FMR500, FMR600 & FMR720

FM360, FM500, FMR500, FMR600 & FMR720 2017-08-23T15:24:35+00:00

FM360, FM500, FMR500, FMR600 & FMR720

20kHz Gooseneck Podium Microphones

20kHz gooseneck podium microphones with ultra-high intelligibility and reliable coverage

  • Available in 13″ (328mm), 19″ (475mm), 23″ (589mm) and 27″ (686mm) lengths

  • Cardioid or hypercardioid

  • Fully flexible gooseneck or rigid center gooseneck

From $559

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  • Uniform frequency response on or off-axis
  • Flat from 50Hz to 40kHz within ± 2dB at 12 inches
  • Will handle up to 139dB SPL
  • No handling noise
  • High rejection of sounds to the rear of the microphone
  • RFI resistant
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility

Frequency Response: 100Hz to 20kHz

Polar Pattern: Cardioid or Hypercardioid

Sensitivity: 20mV/Pa (-34dBV/Pa)

Power Requirements: 24 – 48V Phantom, 10mA

Max Acoustic Input: 139dB SPL

Output: XLR (pin 2+)

Output Impedance: 65Ω balanced (between pins 2 & 3)

Min Output Load: 600Ω between pins 2 & 3

Noise: 16dB SPL equivalent (A weighted)

Weight: .25 lb. (25g)

FM360HD 13 inch cardioid high definition podium microphone with full gooseneck flex

FM360HD/HC 13 inch hypercardioid high definition podium microphone with full gooseneck flex

FM500HD 19 inch cardioid high definition podium microphone with full gooseneck flex

FM500HD/HC 19 inch hypercardioid high definition podium microphone with full gooseneck flex

FMR500HD 19 inch cardioid high definition podium microphone with rigid center and flex at both ends

FMR500HD/HC 19 inch hypercardioid high definition podium microphone with rigid center and flex at both ends

FMR600HD 23 inch cardioid high definition podium microphone with rigid center and flex at both ends

FMR600HD/HC 23 inch hypercardioid high definition podium microphone with rigid center and flex at both ends

FMR720HD 27 inch cardioid high definition podium microphone with rigid center and flex at both ends

FMR720HD/HC 27 inch hypercardioid high definition podium microphone with rigid center and flex at both ends

  • Conferencing / Installed Sound
On a conventional microphone, the high frequency losses on the sides are also the same above and below the mic. So, when an orator speaks under the microphone there will be the same loss of high frequencies as on the sides of the microphone. Likewise, when the orator speaks above the microphone the same high frequency losses will also be present. To illustrate this, the figures on the left show a conventional microphones pickup area (with full frequency response) from above and from either side of a podium.

In contrast, the figures on the right show the pickup area (with full frequency response) of an Earthworks directional microphone, both above, and at the sides of a podium. Notice the dramatic increase of the coverage area providing the full frequency response of the microphone.

“The Earthworks Flex Series are microphones that are superb for their intended use. They produce a clear, detailed, natural sonic image in a variety of applications.”

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“I found the FMR500 a best-in-class example of intelligibility by way of purity and clarity, gain before feedback, and more.”

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  • MC1 Mic Clip

Reviews

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ProSoundNetwork

“I found the FMR500 a best-in-class example of intelligibility by way of purity and clarity, gain before feedback, and more.”
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READ FULL REVIEW

ProAudioReview

“The FM500 did an impressive job of picking up everything within reasonable range of its placement, and sounding very natural while doing so.”

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We used the new HD FlexMic for several worship services, and noticed there was an even greater clarity in the sound (almost like there was no microphone there at all), the intelligibility was incredible, and the HD mic had an even further reach both on and off-axis.

Franklin Denham, Highland Baptist Church

The Flexmic’s near flawless reproduction of audio and extremely smooth frequency response on and off-axis allows more gain before feedback than other microphones I have used. I can get the level of audio I need from the FlexMics, even from people with poor microphone technique, without having to compromise the audio quality from excessive EQ to get rid of feedback.

Chase Daigle, MSC Systems

Speakers tend to shift from side to side when speaking, turn their heads, speak softly or too loud and back away from the mic. The FMR500 helps us to combat these issues. The response is consistent and clear during the entire presentation.

Lennox Foster, Sound Media